Bellas Artes Projects presents I AM NOT BRUCE CONNER: A Talk by Bruce Jenkins
a preview of the much anticipated exhibition Bruce Conner: Out of Body, opening February 24, 2018 at the Outpost.
Bellas Artes Projects (BAP), in cooperation with Ateneo Art Gallery, is pleased to present I AM NOT BRUCE CONNER: A Talk by Bruce Jenkins, a lecture about the visionary film practice of the iconic American artist Bruce Conner (1933–2008) ahead of the upcoming exhibition Bruce Conner: Out of Body, opening at the Outpost on February 24, 2018 with a special screening presentation at Las Casas Filipinas de Acuzar, premiering on March 3, 2018, curated by Diana Campbell Betancourt, Artistic Director of Bellas Artes Projects. Professor Bruce Jenkins will deliver in real time from the School of the Art Institute of Chicago (SAIC) an overview of the artist’s body of work—with an emphasis on his revolutionary films—and his impactful legacy. A conversation with Diana Campbell Betancourt will immediately follow. This event will take place at venue partner Ateneo Art Gallery in Room 101, PLDT-CTC Building on Monday, January 08, 2018 at 12:00 pm sharp to 2:00pm. The talk is free and open to the public.
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Bruce Conner was born 1933 in McPherson, Kansas, USA. He lived and was based in San Francisco, California and was a key part of the San Francisco Beat scene during the late 1950s. He became known for his assemblages (made between 1957–1964) crafted from an assortment of cast-off materials before gaining international admiration for his innovative avant-garde films, which he made under the influence of his friend and fellow American experimental filmmaker Stan Brakhage (1933–2003). Like his assemblages, his films were collages, which he produced by splicing together found and new footage, a revolutionary method during that time. Conner passed away in 2008 at the age of 74. In 2016, the San Francisco Museum of Modern Art (SFMoMA) organized his first comprehensive retrospective initially presented at The Museum of Modern Art in New York and travelled to SFMoMA and the Museo Nacional Centro de Arte Reina Sofía in Madrid, Spain.
About the Speakers
Bruce Jenkins is Professor of Film, Video, New Media and Animation, Art History, Theory and Criticism at the School of the Art Institute of Chicago. Prior to his appointment at SAIC, he was the Stanley Cavell Curator at the Harvard Film Archive and served many years as the Director of Film/Video at the Walker Art Center. Jenkins has written for arts journals including Artforum, Millennium Film Journal, and Mousse Magazine, major museum exhibition catalogues, and published books on Gordon Matta-Clark, Bruce Conner, and Hollis Frampton. Currently he is at work co-authoring the second volume of the catalogue raisonné for the films of Andy Warhol, published by Whitney Museum of Art and Yale University Press.
Diana Campbell Betancourt is the Artistic Director of Bellas Artes Projects and curator of Bruce Conner: Out of Body. Since April 2016, she has curated at the Outpost Prelude: Carlos Amorales, Nazareno: Quiapo Constellations by Pawel Althamer, High Noon at Cagayan Garden by Isabel and Alfredo Aquilizan and the upcoming solo exhibition of Filipino artist Cian Dayrit. She is also working with a number of international artists including Rana Begum (Bangladesh), Cristina Lucas and Fernando Sanchez (Spain), Tatzu Nishi (Japan) and Eddie Peake (UK) among many others for their art residencies with BAP in Bagac, Bataan. In addition, she is concurrently the Artistic Director of Samdani Art Foundation and Chief
Ateneo Art Gallery presents ArtSpeak with Cian Dayrit on the 23rd of November, Thursday, 3:30 pm at Ateneo Art Gallery in Areté. Winner of the Ateneo Art Awards 2017 – Fernando Zóbel Prizes for Visual Art and recipient of the La Trobe Art Institute residency grant, Dayrit will speak to us about his art practice, and his winning works in the group show, Exposition held at the Lopez Museum and Library.
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About the artist
Cian Dayrit is an intermedia artist working with painting, sculpture, and installation. Straddling between fact and fiction, Dayrit’s works explore origins and histories, and their re-presentations in visual apparatuses, from the map, curiosity cabinet, and on to the museum. He received a bachelor’s degree in Fine Arts from UP Diliman in 2011, where his final project titled Artefact X was awarded Most Outstanding Thesis. His recent solo exhibitions include Spectacles of the Third World at Tin-Aw Gallery (2015); Polycephalous at Art Informal (2014); and The Bla-Bla Archeological Complex at the UP Vargas Museum (2013). He participated in the group exhibition titled Exposition at the Lopez Memorial Museum in 2016. Dayrit won the Ateneo Art Awards 2017 – Fernando Zóbel Prizes for Visual Art and received the La Trobe Art Institute residency grant.